David Sedaris’s essay in The New Yorker recounts an unexpected journey following a cancelled flight that had originally stemmed from a visit to a friend's home in Maine. The narrative captures Sedaris's discomfort with social interactions and reliance on electronic devices, eventually leading him to a forced period of smartphone-free engagement with his companions. The tone blends humor and poignancy as he navigates the travel chaos with his partner, Hugh, whose frustrations are amplified by the changes in their plans. The essay's highlight involves the impromptu acquisition of a fellow passenger, Susan Du, who shares in their journey to New York, further enriching the experience with her perspective and presence.

Key Points:

• Sedaris and Hugh visit Mary in Maine but have a cancelled flight on their return, forcing them to adapt.
• The lack of electronic devices promotes face-to-face conversations and nostalgic reflections.
• The Maine landscape is described with a sense of beauty and nostalgia, contrasted with Sedaris's comfort with technology.
• Tensions arise during travel, particularly regarding Hugh’s short temper and logistical challenges.
• They encounter Susan Du, a fellow stranded passenger, leading to a shared ride that adds unpredictability and warmth to the otherwise chaotic situation.
• The narrative explores themes of companionship, frustration in travel, and unexpected connections formed during trials.
  Link to Article