The New Yorker article explores the emerging trend of "rappel graffiti" in New York City, where graffiti artists use climbing techniques to tag skyscrapers and other high structures. With their interest in rock climbing heightened by its Olympic inclusion, artists like XSM and QZAR are employing ropes and climbing gear to access previously untaggable vertical spaces. The article details a nighttime tagging session where they navigate the complexities of urban climbing, make adjustments due to equipment issues, and reflect on the increasing popularity of this daring form of expression among graffiti artists. It examines themes of risk, creativity, and the psychological thrill of tagging from such heights, revealing a community that balances legality and rebellion.

Key Points:

• Rappel graffiti has become popular among New York City graffiti artists, inspired by rock climbing.
• Artists XSM and QZAR use this technique to tag tall buildings, showcasing a mix of skill and daring.
• The tagging process involves preparation, climbing, and teamwork, highlighted by their various tools and techniques.
• Psychological effects of tagging at high altitudes are discussed, including stress relief and exhilaration.
• The trend has spread, with about a dozen local rappellers and international graffiti artists participating.
• Legal concerns and past arrests are part of the artists' narratives, contrasting their legal mural work with illegal tagging.
• There is a hint of rivalry and admiration for the high-risk graffiti feats achieved by others in the community.
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